CATDOLL: The animation "Once Upon a Time There Was a Spirit Sword Mountain" reveals the Chinese production skills? The fairy tale culture impacts Japan

The domestic animation "Once Upon a Time There Was a Spirit Sword Mountain" will be aired on Tokyo MX TV next year. The Japanese production team has already been announced. Recently, the official list of the Chinese production team was released. The founder of Dream Animation, Li Haoling, will serve as the chief director of the film, and Lu Xingcheng will serve as the producer. It seems that the production lineup of the animation "Once Upon a Time There Was a Spirit Sword Mountain" is luxurious. It seems that the top domestic animation production and the well-known Japanese animation company will join hands to present us with an excellent animation.

Chief Director Li Haoling has been engaged in animation creation since 2008. He founded the Dream Painter New Animation Alliance in 2014 and actively created new media animations. He has produced animation works such as "Mr. China Amazing", "Era of Stupidity", and "2B HERO". Producer Lu Xingcheng graduated from the animation department of Japan Institute of Technology. After receiving orthodox Japanese academic education, he began to actively engage in the creation of domestic animations after returning to China. The two have jointly created a number of excellent domestic animations.

Chinese minister:

Planning: Tencent Animation

Novel: His Majesty

Comics: Pig Painting & Fungus Xiaomo

Chief Director: Li Haoling

Producer: Lu Chengxing

Click to read the comic "Once Upon a Time There Was a Spirit Sword Mountain"

Regarding the final effect of "Once Upon a Time There Was a Spirit Sword Mountain" on Japan's MX TV station, fans are most concerned about whether the Japanese version can perfectly restore the Chinese fairy-tale culture and whether there will be any problems in understanding the Chinese fairy-tale culture. The creative team said that "Once Upon a Time There Was a Spirit Sword Mountain" will be released in both Chinese and Japanese dubbing versions for everyone to choose from, and that Chinese and Japanese cultures have been quite similar since ancient times, so it is believed that there will not be too many problems in cultural communication.

Since the announcement of the release of "Once Upon a Time There Was a Spirit Sword Mountain" on Japan's MX TV, it has sparked various discussions and speculations in the industry and among viewers and readers. The exposure of the Chinese production team is enough to prove that this "Chinese creation" animation has a solid foundation in animation production, and everyone has reason to expect the excellent quality of this work. At the Tencent Game Carnival (TGC) held in Shanghai from November 13th to 15th, "Once Upon a Time There Was a Spirit Sword Mountain" was the core content of the Tencent Animation booth, and the maid character in the work personally provided services to users.

Actually, the leak of the Chinese production team list has not completely revealed the mystery of Once Upon a Time There Was a Spirit Sword Mountain. The core information about the work will be announced at the 2015 China Animation Industry Cooperation Conference held on November 19. At that time, these core information will be officially revealed.

"Once Upon a Time There Was a Spirit Sword Mountain" is a fairy-tale novel written by His Majesty the King on the Chuangshi Chinese website. It is also the author's third online novel. It has been published in mainland China, Hong Kong, Macau and Taiwan. In August 2014, the novel was officially adapted into a comic series by Tencent Animation. Zhu Hua and Jun Xiaomo jointly created the comic version of this funny fairy-tale masterpiece. The popularity of the comic quickly exceeded 200 million, and it was successfully nominated for the Best Youth Comic at the 5th Star Comic Award. It has a very high ranking and popularity in the Tencent comic fairy-tale category. In this cooperation, the Japanese side was deeply impressed by the immortal cultivation culture and the unusual character relationships shown in the work. I believe that these characteristics of the work will be ideally reflected in the animation work.