In recent years, domestic animation has been in a rapid development stage, but there are still relatively few excellent animation film scripts. The general view of the industry is to dig deep into the treasure house of Chinese traditional culture to form Chinese characteristics and style. Recently, MiLi Pictures revealed that they have obtained the animation film adaptation rights of Shan Tianfang's storytelling "Three Heroes and Five Gallants" and are working on adapting it into a family-friendly action martial arts animation. This format is also the first time, and many netizens are also quite curious about it. Zhang Qing, CEO of MiLi Pictures, said when talking about the opportunity of this cooperation: "Mr. Shan's "Three Heroes and Five Gallants" is widely circulated and has influenced several generations. It has two inherent advantages: a good story and an audience base. In addition, the art of storytelling and family-friendly animation are both suitable for all ages. I believe that this adaptation of the classic martial arts IP will give it a new lease of life." At the same time, the official also revealed that Mr. Shan Tianfang will directly participate in the guidance of the story adaptation of the "Three Heroes and Five Gallants" animated film, and will also contribute his unique Shan-style storytelling voice in the film. The film producers said that the story essence and humanistic connotation of Shan Tianfang's version of "Three Heroes and Five Gallants" are also very suitable for animation adaptation. The plot of "the dispute between the cat (Zhan Zhao) and the mouse (Bai Yutang)" is innately in line with the setting of anthropomorphic animal characters. The characteristics of storytelling, such as easy to understand, vivid stories, distinct characters, and interesting language, also meet the needs of animation script creation. The output of values is the key to the success of domestic animation. Shan Tianfang's "Three Heroes and Five Gallants" is a Chinese artistic treasure that has been precipitated over time. This time, the Chinese animation must find the key to Chinese animation going global in its own national culture. |
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